![]() ![]() You need skill as an animator to create subtle camera work within the medium. You must approach the decision making in the same way a character animator does. The camera is not just a technical tool, there is human intent behind it. The way I approach animating cameras is as if they are a character itself. Having a good grasp on character animation and timing allows you to be more accurate when you’re blocking your sequence and animating the cameras. We work with editorial very closely on that. As far as having a background in animation, one of the big tasks we do is block the movie. ![]() I have worked as an animator over the years on several films, but my focus has always been on camera and staging.Īs a cinematographer on an animated movie, an understanding of the animation process certainly helps. That’s been most of my focus ever since the first movie. Even on that first job though, I quickly found the camera and staging department. How did your background influence the way you shot and staged the movie?ĭi Ninno: I went to animation school and got my first job out of school as an animator.
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